Bliss: Spiritual Experiences

First Experience:

Soft notes of music drift mildly over green pastures and they tap your heart pleadingly to open and let them in. The sensitive touches of the note struck by the player forces open the door and lets your spirit cry in spasms of joy, leap out and dance with the divine notes in god’s space. You keep aching for it more and more. Your spirit is in tune with the notes being played it raises and falls with the music; entwined in a fluid embrace; the dance goes on and on till every muscle in your heart is ripped open with that heavenly bliss.

Second Experience:

It was a pleasant evening there wasn’t much work to do, but then there was a sudden impulse to visit Mundakaniamman temple at Mylapore, Chennai, India. Though born and brought up as a Roman Catholic, I got well acquainted with other religious perspectives during my college days, where my inner quest challenged all belief systems and I started seeing divinity everywhere irrespective of creed, colour and race. My quest unbound took me to great leaps. In fact, my first Jyoti darshan is of her somewhere in 2007. From that day I used to frequent her to pay my reverence and gratitude.

Such was the day; even before I entered the temple, I felt a strong current encompassing me. I stopped near the entrance, leaned over the wall and started looking inside myself. Light spasms of joy started building in my heart. Something deep inside me was touched and was alighted with bliss. Only then she allowed me to enter her humble abode.

There I took a spot to her right, leaned over the hundi, placed my helmet down and let myself mix with a beautiful, clear, divine voice drifting in the mid-air. The voice belonged to an old lady seated on the floor, to my right, facing the entrance. The voice was mesmerizing she drew it up somewhere deep within her and it reverberated like a tensed cord. I would say she was connected to the divineness in itself. The songs lured me further into myself. The being inside me was set ablaze and it was taking me higher and higher and I almost crossed the point of losing myself to the divinity. That too when she drew the words “Samboo Mahadeva” I was not able to hold the bliss anymore in my heart. It was an ecstatic moment. Beneath the skin, something inside me was trickling upwards and leaving this mortal body. She again drew the word “Samboo Mahadeva” in a high pitch I finally said no more and left the spot half-heartedly in reluctance.

I thanked both the deity and the lady from the bottom of my hearts for forcing me into such a blissful evening. I just was awaiting some situation whereby I can pay my gratitude to that old lady. The opportunity didn’t turn up so I decided to leave and stepped out the temple. The old lady was standing before my bike and asked me if I could drop her in the bus stop, which I did to my heart’s content.



Source by Rozorio Joseph

X-Factor and Strictly Come Dancing – Talent Contests?

The X-Factor masquerades as a singing competition, but really it’s just a popularity contest. Strictly Come Dancing purports to be a dancing competition, but really it’s just a popularity contest. The X-Factor vs. Strictly, which gets more viewers? It’s a popularity contest. Our whole lives are just popularity contests.

Birth: Who’s baby is prettier? Infancy: Can your baby talk/walk/not poo itself? School. Who’s cool, who isn’t? Work. Who will network and brown nose and get promoted? Marriage. Who can I marry that has these pointless attributes? Unbeknown to me, there’s probably even a judging criteria for the residents of old people’s homes. Who has the best biscuit selection perhaps? Or who smells least of urine?

Everything in our fleeting lives involves us trying to steer the big popularity ship in our direction. We’re all narcissistic ego maniacs to some degree; it’s encoded in our DNA. Survival of the fittest-biting, clawing and doing each other over behind a veneer of civility.

It’s horrible and base, but we love it. Unfortunately, however, due to the massive competition, not all of us 6 billion humans can rise to the upper tiers of popularity where we can use our high regard to influence others. So when we do get a chance to exert some control we grab hold of it. In this sense, it’s voting. Not in a general election or anything boring like that. After all, politicians aren’t popular. They’re just trying to force their way to the top to make up for a life of languishing at the bottom of the pile. But we’re smarter than that. You can’t make us vote for you, David Cameron! No, we vote for things that entertain us, like those that once filled the seats in the colossal amphitheatres, we take our seats and cheer and boo along with the plasma screen people in front of us; we listen to the ‘wise words’ of the judging emperors and then give the performers an electronic thumbs up with our phones (well, some of us do, apparently).

In fact, the only differences between watching modern day reality TV shows and ancient Greek gladiatorial contests are that: (1) Nobody dies (if you consider death in the traditional life ending sense of the word) and (2) the contests are there out of their own free will (if you consider free will to be non-deterministic and if indeed any of us proletariat wage slaves can ever truly be considered free, that is). So really it’s exactly the same. Apart from one other major difference that is.

From my in depth historical research of gladiatorial contests (watching Gladiator twice about 5 years ago), it would seem that performance is directly related to popularity. Maximus Decimus Meridius fought well, gained the public’s respect and was, therefore, allowed to live. However, as with everything, the media have destroyed the relationship between talent and reward to the extent that, when we now watch a show, we don’t pick the best person for their singing or dancing, we pick the person that seems nice and has a good back story (the more deaths in the family the better); we disobey all the rules and concepts of the show and follow our popularity meter based on the skewed ideals touted by the red top tabloids.

“What’s this, a dancing competition?… Who cares! I’m voting for that fat ungainly clubfooted old bloke dragging his partner across the floor like a dead animal, because he is well spoken, jolly and, from what I’ve read, a fine political correspondent.”

“What’s this, a singing competition?”… Pff! I’m voting for those weird twins that dance like they are suffering from multiple dislocations and sing like a cat being opened with a rusty can opener, because they have been touted as the plucky underdogs and their winning might destroy Simon Cowell’s career.”

The results of this phenomenon are both humorous and dispiriting in equal measure. It is, of course, endlessly funny to watch the perpetually in control Simon Cowell, splutter and choke on his own rage at the irony of yet another brilliant singer being voted off because they didn’t register highly on the public’s popularometer, as a direct result of the media hype that he engendered in order to promote the ‘singing competition’ in the first place. But on the other hand, it is not so fun to watch talented people systematically crushed week in week out solely for the purposes of entertainment.

Unpleasant as it may seem at the time though, ultimately it’s a good lesson for the contestants. Talent contests such as the X-Factor give ordinary people a taste of what it’s like to be climb to the upper echelons and bask in the warm glow of popularity, and for the vast majority of contestants, it also offers the perspective from the gloomy depths of obscurity after the fast fall back down again. What’s more, the judges, with their increasingly pernicious back biting and derision of one another show the acerbic attitude you need to reach the top and stay there. To watch a contestant stood alone on stage post performance waiting for an honest appraisal, only to be greeted by a series of unconnected sideways snipes between judges is to watch the true narcissism of celebrity unfold. It is the type of behaviour we read about in celebrity magazines, that we remember from popular people at school and from bosses in jobs we left. It is the type of behaviour that makes this level of popularity, despite the vast riches it offers, still seem unappealing.

“Everything popular is wrong.” Oscar Wilde



Source by Adam C. Mitchell

Rock Bands – Get Discovered Without Losing Your Shirt and Your Sanity

Finding your way to be seen or heard by a record company doesn’t need to require spending an enormous amount of time and money. It only requires a little industry knowledge and some great song writing. I can give you the industry knowledge. The rest is up to you. Here are 5 GREAT tips to help you on your way. These tips alone, if followed, will save you a fortune and narrow your focus of what it takes to get signed.

1. A hit song. This outweighs everything. You can record in a basement 8-track studio or in a fully digital $500/hour recording studio. If the song’s a hit, the song’s a hit. Don’t waste your money on studio costs. An 8 track recording should be sufficient enough to play for a record company. Record labels will see through the “slickness” of the recording and hear the song for what it’s worth. In fact a record executive would rather hear a hit in its roughest form. It makes them think they discovered a hidden gem that they can make into a diamond. One band I worked with called Extreme released a song called “Hole Hearted”. The song was recorded in a bedroom on an 8 track but sounded good enough to release as is. The song went to # 1 in a lot of countries around the world (# 4 in the United States)

2. Showcasing for a Record Company. I’ve had many bands showcase for me over the years; bands looking for a manager to bands looking for a record deal during my years at EMI Records. I would show up at their rehearsal studios and find elaborate food and drink set-ups, big lighting rigs brought in to make them look like a stadium rock band and some bands had every family member and friend they ever met squeezed into the studio to applaud after each song. Ok, ready? Forget the food, forget the lights and unless I’m going to a club to see the band perform live, leave your friends at home.

I’m not coming to your rehearsal room to have dinner. If I need a cocktail to enjoy your music then your music probably isn’t worth me coming down to hear. I don’t need concert lighting in a little rehearsal studio. SAVE YOUR MONEY. You want to blow my mind? Turn on all the house lights, stand there and play me one original hit after another. If you do that, I’ll leave with the biggest smile on my face and the excitement in my heart as if I discovered the next Beatles. Also, I don’t need friends clapping after each song. If you perform a hit for me, I’ll be sitting there thinking about you on an arena stage selling millions of concert tickets.

3. “Break” your own record. This approach shows the record labels that if they put in the time and money to sign your band, that you guys are taking it very serious and are willing to do the work necessary to break the band instead of the band sitting around waiting for someone to hold their hands and lead them. Sell your own records. These days CD’s are very cheap to have pressed up. Produce your own with 4-5 of your best songs on it. Sell them at your shows. Sell them at the local record shop (or merchandise shop if record stores are no longer around in your area. Most small store will agree to sell your CD on consignment (the store pays you after the CD sells).

You’re not looking to make money on these sales, you’re only looking to get your music in as many hands as possible. Next step is to approach a local radio station; the smaller the station, the better response you’ll get from them. Try to be creative in ways of approaching them. Yes, the guy in the gorilla suit delivering your CD’s been done. Try to get them to spin your record, no matter what time of day. Even if it’s once.

But be prepared to have friends or family call the station after it’s played to comment on liking it. If it’s played at 3am, don’t have 7,000 people call the station. Make it look like the real thing. They’ll be happy to know what the listeners like and that listeners are responding to their airplay. Record companies have online charts (ie BDS) showing them what every radio station in the country, no matter how small, is playing at any given time. If an unknown band is getting airplay, the record companies will come to investigate. Another artist I worked with, Afroman, got his record deal just like that. He recorded and released a single called “Cause I Got High” on his own and got a local radio station to play it.

He got a major record deal when record companies went to investigate what that little blip on the charts was. Same thing happened with the band Godsmack. After being turn down by all the record companies, they started selling their own records and got local airplay until the point where they were selling 1,000 CD’s a week without the help of a record company! Not only did labels come after the band, but the band was able to negotiate a major $$$ deal because of their hometown sales are already so large.

4. Play Live Nothing develops a band better than playing live. Videotape your first show and videotape your 100th show. The difference will amaze you. I can’t speak to every small city in the U.S. but any mid size to large city has record company staff living locally. They “work” the local record stores or accounts, they work the radio stations in the region, bringing them new releases to get airplay and bringing their companies bands by to say hello. These guys (and girls) are the local eyes and ears of the label. They are out there at the clubs. They listen for local chatter about what local bands are happening, they talk to club owners about what local bands they like and which local bands are selling tickets. There are publications that list the local record representatives (reps.).

One is called the Yellow Pages of Rock. Search online, there are others out there; probably now available online Track one down, get them your CD or just keep playing out live. If you’re playing out all the time, whether you know it or not, they’re aware of your group. When I lived in Manhattan, I used to see top record execs club hopping downtown, going club to club watching bands. Most bands are wondering how to be seen by the labels while they’re being watched by some of the top record people in the business. So if you want to be seen, heard and known, get out there and PLAY LIVE.

5. Find a Manager Finding someone with bigger and better connections, more industry knowledge and the ambition and work ethic of a bull, could be the best thing for a band starting out. Someone with local knowledge could save the band a lot of time and money and open some doors than would otherwise be closed; either with local radio, local retail stores or the local clubs. Hey, maybe you can get lucky and find someone with even bigger industry ties and can push the band into an even bigger playing field nationally; maybe even internationally.

The one warning I will give you, is to be VERY careful at what you sign. A bad management contract can cause enough internal problems to break up a band; on a local band level as well as an international stars level. ALWAYS have a lawyer look over any contracts handed to you to sign. A manager deserves protecting his interest in a band if he’s going to work his tail off and use his connections to get a band to the next level but he shouldn’t own the band for the length of their career. All artist management contracts should stipulate that the manager is given a certain amount of time to secure the band a major recording contract or the management contract becomes null and void. This term can be anywhere from 6 months to two years.

A band should not be signing a contract with a manager for 5 years without the manager securing certain objectives for the band. Never sign all your rights away. This also includes Publishing (the ownership rights to the bands music). Managers should receive between 15 – 25% of a bands income (minus certain expenses) for the length of the management contract only. A manager should also get his percentage in perpetuity (for a longer period of time) for any deals the band enters that the manager negotiated for the band while the band was still signed to the manager.

These 5 Tips should change the entire direction a band should travel in its quest to get the mighty ole recording contract. If these tips are followed, a band should be able to save themselves a lot of time and a lot of money, taking only the most important steps needed, without the fluff, to get into the hands of a record executive with the power to sign an act to the company label



Source by Scott Bernstein

Understanding Classical Music – Is It Worth The Time?

Understanding classical music is something most people think is far too lofty a goal, one best left for music scholars and academics in their ivory towers. It’s the epitome of stuffiness; black ties and diamond earrings must be worn at all times.

This is not at all the case!

Classical music should be heard and appreciated by all people. Composers were and are real people who struggle with the same problems we all do, including paying bills, satisfying their clients, and just existing from one day to the next.

It’s not necessary to understand composition techniques, orchestration principles, and the intricacies of arranging music to be awed by its beauty. Just let it wash over you and absorb the feelings!

The genius of Bach, the magnificence of Beethoven, the sheer beauty of Chopin, and the power of Prokofiev are all waiting to be discovered by you, no matter how much you know or don’t know about music theory and history.

Do you turn away from a rainbow, bemoaning that you don’t understand light refraction and color prism?

Of course not!

If you drive a car, do you understand fuel injection, and rack and pinion steering?

I think I’ve made my point.

However, some knowledge of Western art music helps understanding classical music even more. Why did Beethoven write his symphonies, why did Bach love the fugue, did Mozart really hate the flute?

But if you don’t have time to pursue a Doctorate of Musical Arts in Music History, what can you do?

An easy and fun way to learn about anything is via an audio book.

Audio books are the educational tool for the 21st century.

  1. You can listen anywhere you want to–in the car, in the doctor’s waiting room, at a soccer game, lounging in bed–you name it. No more boring classrooms.
  2. You can use odd bits of time that would otherwise be wasted.
  3. You can listen to any part over again without having to raise your hand and ask a question in class.
  4. Audio books are portable–no 10-ton text book to lug around, just a little MP3 player or Ipod.
  5. Audio books are less expensive than a printed text. No trees have to die.
  6. Audio books are private–just pop in an ear plug.
  7. Audio books are entertaining. They come alive with fascinating narration, great music, and tantalizing sound effects.

In short, what’s not to like?

Join the audio book revolution and discover the finest art that humanity has ever created.



Source by Kathy Ferneau

Opera Music – The First Operas

Opera is a very old form of musical entertainment. The word opera is from the Italian language and translates to mean work or labor. Classical opera is a musical production that combines a musical score with a libretto (dramatic work or written storyline). An opera combines many different elements including acting, singing, dancing, costumes and music.

The very first opera is often considered to be Dafne. Jacopo Peri composed this production with contributions from Giulio Caccini. Ottavio Rinuccini wrote the libretto. It made its debut as a private event in 1597, in Florence at the Plazzo Corsdi. The concept behind the production was to bring alive the classic Greek tragedy. Many of the early operas take their story lines and ideas from Greek literature. Although, this dramatic work was to begin a completely new form of musical genre, the musical score has virtually disappeared.

Dafne was actually not written for an orchestra but for a much smaller ensemble. It composed for lute, archlute, harpsichord, viol and triple flute. The libretto written was the story of the god Apollo falling deeply in love with the nymph Dafne.

Peri and Rinuccini’s showing of Dafne was a huge success and was so well liked that they were asked to write a second work using the same format. Their second joint effort was to a commissioned piece to celebrate the marriage of Henri IV and Marie de Medici. This musical creation was entitled L’Euridice.

L’Euridice was preformed for the first time in 1600. Peri himself preformed the lead role in this production. The story of this opera is once again Greek in origin. It revolves around the god Orpheus and his search for his beloved Euridice. Euridice, who is actually a nymph, was taken to the underworld and Orpheus is trying to get her back.

These two operas were the first time that audiences were introduced to the recitative. There are many times during a performance where a cast member has to convey what they are thinking or feeling to the audience. Rather than trying to set this portion of the production to a song, the actor is given the liberty to sing but uses an almost conversational tone. There is usually music in the background, but the words are not set to it. The other major differences are that in a song there are normally choruses and repeating portions. This does not happen in the recitative. The emphasis here is to move the action of the play forward.

These two productions would herald the beginning of a completely new form of art. Like all art forms, there are many variations of opera. Through the years, opera has changed and evolved greatly. Both the composers and the writers take many liberties to make their productions more appealing to the audience.



Source by Jane P. Long

Music: Can Music Trigger Grief?

In some shape or form, music has been around for thousands of years and while there are styles around today that weren’t around in the past, it still has the same effect. When it comes to making music today, electrical equipment is often used and this has allowed people to create sounds that didn’t exist before.

This is the case when it comes to the mainstream music, but the there are still many styles that don’t rely on modern-day technology. There are also styles that merge new technology with technology that has been around for a while.

There is something out there for everyone, no matter what style of music they enjoy listening to or whether they like a number of styles. If one likes a number of styles, their mood could also define what they listen to.

Choice

The fact that there are many different styles matches up with what could be described as the age of choice. No matter what one desires in life, there is likely to be more than one choice available.

And while more choice is often seen as better than having less choice, one can be better off with less choice. However, this can all depend on what it relates to; as there are going to be certain areas of life where this is a good thing and where it is neither good nor bad.

Inaction

One could be offered a number of choices and because there are so many, they could end up finding it hard to make a decision. This could cause one to do nothing or if they do something, it could take them a lot longer to make a decision.

More choice can then lead to inaction and even cause one to feel overwhelmed. But when it comes to music, one is likely to listen to something and then decide if it is right for them or not. And if it doesn’t hit the spot straight away, it might take a short while.

Different Moods

When one wakes up in the morning, they might want to listen to a certain style and then when the evening arrives, it could be another style. Yet, this could also depend on how one feels when they wake up and what they have to do once they have woken up.

If one wants to relax in the evening, they are unlikely to listen to the same kind of music that they would listen to if they were going to have a workout or even a night out. One can then change their mood through listening to music or find something that matches up with how they feel.

Validation

The music one listens to can give them the support they need to move through a challenging day or a challenging period in their life. And although they are unlikely to be listening to something that was made for them, it can validate their experience.

It then doesn’t matter whether one knows the story behind the song or why it was written, as it is just what they need to hear at this time in their life. One doesn’t need to be going through a challenging period in order to be validated though, as they could be falling in love or have just achieved something significant.

Three Sides

There is how one feels before they listen to song, how they feel as they are listening to the song and how they feel after a song has finished. Based on this, one could come to the conclusion that if they feel different after a song, it is because of the music.

However, while one is going to be effected by what they listen to, it could also be triggering what is already within them. Music is then not just a catalyst, it is also a trigger.

The Trigger

One could listen to a song and end up feeling sad, down or even depressed. Now, if one was to listen to a song that was about a break-up or some kind of loss, it is only natural for one to feel effected by it. This would simply show that they have empathy and are in touch with themselves.

After a while, this feeling may soon pass and one should soon feel as they did before. But, this might not happen and one could end up feeling down for quite some time or they could listen to the song, feel down and then feel fine shortly after.

Hidden

In both of these cases, it could be a sign that one is carrying trapped grief in their body. What they have listened to has then reminded one of what they need to look at and then process.

If one hasn’t experienced any kind of loss for a while, they might wonder how this is possible. Their mind might not understand what this pain relates to and yet their body is carrying the pain.

Awareness

The mind forgets, but the body remembers and this could be grief that one has carried for many, many years. It could relate to a loss in their adulthood and/or it could relate to what happened to them during their childhood.

Music can then be seen as a valuable tool when it comes to gaining a better understanding of oneself. This grief can be faced and released with the assistance of a therapist, healer and/or a support group.



Source by Oliver JR Cooper

How to Practice – 7 Singing Tips for Beginners

If you’ve decided you love singing and want to take it a stage further, you may be wondering if you have enough talent to take singing seriously and have lessons. Don’t ask yourself if you’re talented enough, ask yourself if you’re if committed enough. Consistent practice of the correct techniques is much more important than the vocal abilities you start with. The following tips should help you get started in the right direction.

1. Practice makes perfect, so make sure you put some time aside to practice regularly. How much practice should you do? I suggest at least three times a week for approximately half an hour each. Practice is not singing along to the radio or your favourite CD whilst doing a household chore. It involves being disciplined and focusing on technical exercises as well as songs and knowing what you are trying to achieve.

2. A practice session should always start with a warm-up. Just as a warm up before a sporting event will protect you from injury, a good vocal warm-up will protect your voice from damage. If you don’t yet have a teacher, start with a few relaxed breaths, followed by some gentle humming throughout the range of your voice. You could then do a scale or two on the vowel “ah”.

3. Don’t overdo it! When you are starting out, you should keep practice sessions short and regular. It takes time for the muscles to build up strength and practicing for too long at a time could damage your voice.

4. If you want to increase your range, do it through vocal technique exercises, not by choosing a song that is beyond your present range. This will only increase your chances of damaging your voice.

5. Shouting or screaming can hurt your vocal cords, so don’t do it! It’s much more important to keep your body and face relaxed than to try and make a lot of noise. Vocal power should be built up gradually.

6. You can practice singing lying on the floor. This will support your back and may even seem easier. When you stand up to sing, imagine being supported from behind you.

7. It takes about 10,000 times before a muscle gets used to doing something different. Therefore, keep practicing your singing – your voice needs the exercise.

Learning to sing is about finding your own voice – don’t worry about trying to sound like anyone else. Even if you haven’t got a teacher, regular practice with gentle warm up exercises, gradually increasing your range can do wonders for your voice. I hope these singing tips will help you on your singing journey.



Source by Helen Astrid

Top 5 Hard Rock Bands

Hard rock and heavy metal developed and blossomed in the late 1960’s and early 1970’s. The thick and massive sound boasted extended guitar solos and powerful beating drums.

The onslaught of sound inspired musicians across the globe, but the speed and precision required to master the instruments would take years of practice. The following bands practiced, and then set the world on fire.

Metallica – In 1981, Los Angeles, California gave birth to one of the most influential heavy metal bands of all time. Preferring quality over quantity, Metallica has released only nine studio albums and four live albums in over thirty years. This relatively small output of recorded material has not kept the listening public from gobbling up over 100 million albums worldwide. Known for fast tempos and aggressive musicianship, Metallica was inducted into the Rock and Roll Hall of Fame in 2009.

Green Day – Formed in 1987, this American punk rock band has often been credited with popularizing and reviving mainstream interest in punk rock in the United States. Led by vocalist and guitarist Billie Joe Armstrong, the loud and boisterous Green Day has sold over 70 million albums worldwide and has won 5 Grammy Awards.

Guns N’ Roses – In the early to mid 1980’s, popular music was dominated by dance music and pop metal. Hailing from Los Angeles, California, Guns N’ Roses injected the music scene with a welcome and refreshing jolt of heavy metal mayhem. The band exists today with Axl Rose as the only remaining member of the original band but it was the classic lineup that was inducted into the Rock and Roll Hall of Fame in 2012. Formed in 1985, vocalist Axl Rose, lead guitarist Slash, rhythm guitarist Izzy Stradlin, bassist Duff McKagan and drummer Steven Adler created an iconic debut album that reached number one and has sold over 28 million copies worldwide.

Kiss – Kiss rose to prominence in the mid to late 1970’s on the basis of their bombastic live performances. Seeing a live Kiss show, featuring blood spitting, fire breathing, smoking guitars, levitating drum kits and pyrotechnics, is an experience no rock fan should miss. With 28 gold albums, the most of any American rock band, Kiss continues to record and sell out concerts all over the world.

Led Zeppelin – The English rock band, Led Zeppelin, formed in London in 1968. The band consisted of guitarist Jimmy Page, singer Robert Plant, bassist/keyboardist John Paul Jones and drummer John Bonham. All nine studio albums recorded by Led Zeppelin reached the top 10 of the US Billboard album chart. Not wishing to carry on without one of the original members, the group opted to disband in 1980, following the unexpected death of John Bonham. Zeppelin remains extremely popular today and the song Stairway to Heaven is among the most popular and influential works in rock music.



Source by James E Rea

Classical Music

Classical music, like other forms of classical art, has not as many takers as those of light music. Nonetheless, classical music has its fans too and lots more are falling to its charms. Yet, those who turn to it often find it rather beyond their understanding and real appreciation. They are charmed by it, but they cannot critically explain why it appeals them. You cannot rationalize its appeal or beauty.

Another reason why a large majority of people are not very comfortable with classical music is its complexity and a sense of distance from the artist. Light music can be easily sung by ordinary artists with whom ordinary listeners can identify easily. It expresses the feelings of ordinary persons in their own language. Classical music, on the other hand, is rather mysterious and is rendered in diverse styles and it takes years, sometimes a life long time to understand .But its study has its rewards too. The more you study it, the more you enjoy it and the more you find it wonderful and worth the effort and hard work to study it.

The study or appreciation of classical music depends upon your individual taste. A form of music that appeals to you may not appeal to another person. You may come across experts who may try to influence you by their judgments about the quality of music. You may listen to them, but you should not compel yourself to like the music that they like. Or if you come across a much-acclaimed piece of music that you cannot really appreciate, you do not have to blame yourself for not liking it. You may of course try to find out why the particular expert likes a given piece of music. May be, you find some point to learn.

The most important thing about classical music is to listen to it as much as you can. Classical music CDs are available from many sources. If you are a student, your college library may have an abundant stock of classical music CDs. You can listen to radio, watch TV, and go to concerts and recitals. You can also get free downloads from the Internet, if you do not want to spend money.



Source by Eddie Tobey

Music – Expression of Emotions!

We smile, we love, we cry. We, the human beings experience a wide spectrum of emotions in our life. Some of them are expressed while others die in our own mind. But from time immemorial, our emotions have been voiced through music. Music, which is composed of seven distinct tunes, is actually an expression of human emotions.

Music is characterized by certain qualities like, pitch, melody, rhythm, and frequency. And each type of music is again characteristic by certain degrees of these above mentioned qualities. A rhythmic music characterizes joy while a melody expresses romance. Again, a melody also expresses sorrows. For instance, Latin music is mostly featured by rhythm and certain genre of tune. Latin music is an expression of Bohemian lifestyle which very much complements Latin culture. Variation in melodies and rhythm leads to expression of varieties of emotions. If we look back to Western Classical, It connects us to something universal about human emotions. It makes us reach a transcendental stage of mind. However some composers opine that emotions conveyed through music is something quite abstract and varies according to the different perception of different individuals. One of the notable composers of Western Classical music was, Ludwig Van Beethoven, who gifted the world with musical masterpieces despite of being paralyzed with deafness at very young age (twenty eight). He can be regarded as the profounder of Romantic era of Western classical. Eastern Classical or specifically Indian Classical music has a number of sections and categories. However the two major sections are Hindustani Music from North India and the Carnatic Music from South India.

Each of the songs are known as “Ragas”. The melodies contained in each of these “ragas” reflects various moods according to different times during the day. The Indian Classical music is mainly monophonic, that is, it is based on a single line of melody and has to be sung at a specific rhythm. Any deviation from the above rule is considered as a mistake. Even Folk music conveys something about the culture and lifestyle of a particular region. To be more specific, it generally narrates some popular folk tales of that region. When lyrics are put in a tune, it becomes a song. However, music can also be purely instrumental where one derives pleasure from the tune only. Beautiful notes of pianos, violin, guitars, expresses emotions without any words. Music can express most of human emotions. It expresses joy, ecstasy, romance, and also sorrows, pathos, and agony. In the words of P.B Shelly “Our sweetest songs are those which tells us our saddest thoughts”. Surprisingly, a simple song which is sung from the heart gives us more pleasure than a complex one which is often influenced by human artifacts. Maybe this is a reason why pop songs and rocks are also quite popular today. It is also quite true that likings for particular kind of music largely depends upon the temperaments of individuals. This is the reason why some prefer soft melodies while some like hard rocks. It can be reasonably argued that music is not only an expression of emotions, it is emotion itself. Music without an emotional message is like vacuum. It is like a flower without essence.

The impression of music in human mind is beautifully depicted by William Wordsworth in his poetry “The Solitary Reaper”. The poet is mesmerized by the touching song sung by a lass while the latter was reaping in a field. Though the language of the song was completely unknown to him, he was deeply moved by the emotions conveyed through the notes of her song. The music had left an indelible impression in his mind and in the later years of his life, he sadly reminisces “The music in my heart I bore, long after it was heard no more”. There are lots of sites on the net from where you can send Music Ecards to your friends, colleagues and loved ones like 123greetings.com



Source by Sean Carter